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200cm X 200cm  Oil on canvas   Huile sur toile  布面油画  2019
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120cm X 87cm  Oil on canvas   Huile sur toile  布面油画   2019

130.2cm X 90.3cm   Oil on canvas   Huile sur toile  布面油画   2019

130.2cm X 90.3cm   Oil on canvas   Huile sur toile  布面油画   2019

130.2cm X 90.3cm   Oil on canvas   Huile sur toile  布面油画   2019

130.2cm X 90.3cm   Oil on canvas   Huile sur toile  布面油画   2019

130.2cm X 90.3cm   Oil on canvas   Huile sur toile  布面油画   2019

130.2cm X 90.3cm   Oil on canvas   Huile sur toile  布面油画   2019

130.2cm X 90.3cm   Oil on canvas   Huile sur toile  布面油画   2019

200cm X 140cm    Oil on canvas    Huile sur toile    布面油画     2019

195cm X 165cm    Oil on canvas    Huile sur toile    布面油画    2019

200cm X 140cm    Oil on canvas    Huile sur toile    布面油画     2019

200cm X 200cm    Oil on canvas    Huile sur toile    布面油画    2019

200cm X 140cm    Oil on canvas     Huile sur toile    布面油画     2019

    My paintings revolve around the theme of Human, Beasts, and Ghosts.

    I always see unreasonable things in modern world history, for example, the first ,  Second World War. Cold war, Ukrainian famine, Khmer Rouge, Whenever I see these history, I can feel the dissimilation of human nature.

    I thing my painting is asking and exploring these questions. 

    What is the human?  

    Is it a human?

    beast ?

    or ghost?

200cm X 130cm    Oil on canvas     Huile sur toile     布面油画     2019

       Imayor’s wife.

200cm X 150cm    Oil on canvas     Huile sur toile     布面油画     2019

           A pilot heads for A6M Zero.

200cm X 200cm     Oil on canvas     Huile sur toile     布面油画     2018

            In the public spaces such as the old city hall, there is a kind of painting praising the war. These paintings are usually very large, and their themes mostly praise power and conquest. I think the people who praise this kind of paintings must be regard stirring up trouble as courage in their country. They try to replace drama with politics...

200cm X 130cm     Oil on canvas     Huile sur toile     布面油画     2018

 

        When I study politics and history, I can see the union and betrayal of political power. Most of these stories are about betraying others for their own rights or benefits that always reminds me the story of Abraham's sacrifice in the Bible. Of course, there is other explanation in the religion. I think the “sacrifice” is obvious in political relations, but more “sacrifices” are hidden in our social life and even family relationship. This painting is the first one about the relationship between sacrifice and victim.

Un rugissement de chat 2   猫 吼 2   116cm X 89cm  Oil on canvas   Huile sur toile   布面油画  2018

In the spring night, I often hear horrible cat croaking.

A hysterical roar. It is a strange and terrifying impression that is hidden under the cute.

Le sentiment de dépression    忧郁的图像    116cm X 89cm    Oil on canvas     Huile sur toile     布面油画    2018

116cm X 89cm  Oil on canvas   Huile sur toile   布面油画  2017

   This is a portrait of an apoplectic historical personages. I always feel that this world is unfair, but it is fair. When I see someone who decides apathetically the fate of others, The person who controls the power also decides his own destiny. At that time, he lost the ability to question, and can not see himself.

le pont     桥     46cm X 38cm     Oil on canvas     Huile sur toile    布面油画     2018

    “I am not guility” said by SlobodanPraljak who is the defendant of Bosnian War. He died after taking drugs at the International Criminal Court in The Hague, Netherlands. The event opened my mind to the creation of this theme: the bridge. The creation revolves around the blowing up of Stari most, studying the eruption and destruction of hatred between people.

 

    This is a portrait of poison hiself.

Un rugissement de chat      猫 吼    116cm X 89cm   Oil on canvas    Huile sur toile    布面油画   2017

A hysterical roar. It is a strange and terrifying impression that is hidden under the cute.

200cm X 115cm  Oil on canvas   Huile sur toile   布面油画  2017

 

    I saw the assassination of a Russian ambassador who lived in Turkey in 2017, in the picture he lay on the ground, with black leather shoes pointing pointed to the ceiling. The black suit opened to reveal the white shirt which was wrapped in it, he had a belly like a hill, with a face expressionless, such as a fish with black back of white belly, lying on the ground...

   ... ...

120cm X 80cm  Oil on canvas   Huile sur toile   布面油画  2017

      In my life, I always felt that some things were intentional but pretended to be unintentional, like news. When I see the news I always feel tired and I often think about the motives of some news, that is: Who? Why at this time or this place, given such a message? What is his purpose? Who does he want to see? Did he appear to avoid or conceal anything? Why? Being in such an information environment is like being in a bureau...

      ... ...

120cm X 80cm  Oil on canvas   Huile sur toile   布面油画  2017

     Heavy iron gate, dark green paint covered with traces of rust. The top of the door is pricked with a finger-shaped iron tip. Looked far away where the sky was barred by Iron fence. s. The sky in early spring is dim and gloomy. A lamp on the wall of the doorway. The yellow or white light is printed on the wall, drawing a triangle. And illuminate the ground beneath it...

    ... ...

200cm X 115cm     Oil on canvas     Huile sur toile     布面油画     2017

     In 2015, I saw a piece of news about the shipwreck of illegal immigrants from the Mediterranean Sea, which killed about 700 people aboard the ship. The captain survived, and in the news picture the captain shivered in the cold wind. I wonder if he knew what he was doing before. Before the accident is greedy drive, after the accident is the avoidance of fear...

     ... ...

200cm X 140cm     Oil on canvas     Huile sur toile     布面油画     2017

       A person was tied, like a livestock was tied to slaughter, and then dragged out of a basement. The man who caught him took pictures with him in the zoo like animals. I see it in the media as a scene in a novel...

       ... ...

200cm X 115cm     Oil on canvas     Huile sur toile     布面油画     2017

 

        I remember that in the first act of Shakespeare's "The Tragedy of Julius Caesar", there was such a sentence, Casiss said: 

        Why, man, he doth bestride the narrow world

  Like a Colossus, and we petty men

  Walk under his huge legs and peep about

        ... ...

200cm X 110cm     Oil on canvas     Huile sur toile     布面油画     2017   

       As I watched the parties involved in the civil war in Syria, I realized that a group of nations could be understood as a whole. namely: a double-dealer with desires. He had all sorts of faces, and was wrapped up by excuses and moral justification. When all excuses are exhausted, it began to use violence...

      ... ...

200cm X 110cm     Oil on canvas     Huile sur toile     布面油画     2017​

    As I watched the parties involved in the civil war in Syria, I realized that a group of nations could be understood as a whole. namely: a double-dealer with desires. He had all sorts of faces, and was wrapped up by excuses and moral justification. When all excuses are exhausted...

     ... ...

    Firstly, I would like to thank kooshk for the opportunity to present this residence to me, which gave me a chance to learn more about Iran and to create and exchange. In my eyes, Iran is a ...

Des Collages et Des Recherches    拼贴与研究    29.7cm x 21cm - 42cm x 29.7cm     Collage    拼贴    2016

My interest and research in painting and collages are focused on the alienated humanity. In my research I associate images with paintings and I am looking for a form of visual expression that disassembles the symbols of images.

Les massacres    屠杀    Collage    拼贴    2016

Collage and Research    Des Collages et Des Recherches    拼贴与研究   20cm x 20cm - 40cm x 40cm     Collage    拼贴    2016

         My interest and research in painting and collages are focused on the alienated humanity. In my research I associate images with paintings and I am looking for a form of visual expression that disassembles the symbols of images.

un martyr    殉道者    50cm × 38cm       Oil on canvas        Huile sur toile.     布面油画      2014

During the Afghanistan War, we saw many videos of beheading of hostages in the media. After the attack on Charlie Hebdo, I started doing research on terrorism. In a sense, because of ideological opposition, the people killed are the martyrs, and just like martyrs at the beginning of Catholicism in this time.

A la source de la lumière     光之源     200cm × 140cm       Oil on canvas        2014

 

    In my childhood, I liked watching movies. I often wondered where the beam of light projected on the screen came from. Years later, I realize that these ideas were presented in the Allegory of the Socratic Cave. I think we are in the cave. News and criticism broadcast on television or in newspapers are the light that spread information and has the power to speak to the public. In this painting I express the idea of controlling this source of light.

2 + 2 = 5 !       150cm × 150cm        Oil on canvas     Huile sur toile    布面油画        2014

          When I saw Russian news about the Occupation of Crimea, I saw another aspect of international politics. 

          What are law, truth, and morality in the face of desire, power and money? Those make me feel the fragility of idealism in reality. What can we do, when an authoritarian uses his power and shame to prove 2+2=5 to you?

          conflict with the threat of military force, but not with justice. I imagined a painting with the faces of political manipulators:  2 + 2 = 5

les  impressions 1 - 4    印  象 1 - 4      Impression 1 - 4      46cm × 38cm      Oil on canvas       2014 

 

       This series of paintings was intended to study how the desire for power can cause the distortion of human nature and incarnate on the faces of men. I worked from portraits of dictators, former revolutionaries, such as Muammar Gaddafi, Saddam Hussein and Mohammed Hosni Mubarak. I deliberated on the documents and videos that are dedicated to them and discovered the moment when their humanity was transformed.

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